Selection of oil and save
Selection of oil is also very important. Oil can basically be divided into two categories: one is the bristle; one is fur. Bristles are generally made of bristle, with bleached white, also unbleached black soft brush is made of Sable and Wolf hair, badger hair, its shape is flat and rounded tip,it is vey useful for the china oil painting reproductions artists.
Protection of brushes is very important, if protection can be better than a few years, but handy when painting. Finished painting after painting brush wash with SOAP is best. To wipe down the hair wash when washing, particularly root crowded pens wash. Wash preferably with waste newspapers after brush Pack together.
Palettes, palette knife
Painting palettes are indispensable tools. Best is made of nuclear Walnut color palette, is very light. Now replaced by plywood. Palette shapes are broadly divided into two types: one is rectangular; one is oval.
On the artboard color order of the following categories:
White one red and one yellow-green, one blue and one black
White one green, one blue, one red and one yellow, one black
Preferably arranged in order, otherwise it is not convenient to use, easy to stain color.
Palette knife is generally divided into two types: one is the painting knife, it can be when a pen is used, like draw painting oil portraits; another is the blade, flat or angled.
Their pigment spatula on the artboard, you can scrape the wrong color.
Town of wrist
This is useful tool to draw detailed, can not hand encounter part is not dry on the canvas. Painting of ' oil "(mixture Regulation)
Painting of oil are as follows:
1. Turpentine-is used for diluting oil painting-color.
2. Advanced gasoline-role-as above.
Both used to draw the color the first pass. But high petrol volatility very fast, sometimes paint oil damage, damage to the painting saved plays role.
3. MAREN poppy oil, Asia oil, walnut oil, rapeseed oil, fish oil, sunflower oil, and so on through the process can do color oil.
4. Light grease, also known as the "mediator". Processed oil, Mattie resin (or Dagmar resin) three-in-one oil and turpentine mix together.
Madishu is a growth in the Eastern Mediterranean coastal Evergreen shrub (genus rhus section). Mattie is madishu cut out of the glossy, transparent resin tear drop-shaped aromatic resins.
Currently there is a translation of imported medicinal resins and Mattie resins are known as frankincense, but it does not light grease. Real Mattie resin imports very little to buy chemical
reagents to large stores for china oil painting reproductions.
They can according to the artist's need to adjust the proportion of ingredients, usually one-third.
Production of light grease are as described below:
① through walnut oil
First 250 grams of walnut oil (or Asia MAREN oil) and a peeled onion in a beaker and place on the stove heated. After 15 minutes plus 1 gram yellow lead (lead oxide) mix. And then through 1gexiaoshi45fenzhong. The whole process takes 2 hours. Once the cold filter paper after being filtered in the bottle for use. Here note the wet rendering temperature should be maintained at between 100-110 degrees Celsius (small stew of oil). To onions bubble to control temperature. Too many bubbles or risk a range hood will fire immediately to take in, do not boil, Cook oil Coke.
② light oil
Mattie resin and turpentine on a 6:4 scale in heating on slow fire to make it melt, and then use the nylon stockings filtering, storage alignment within the bottle full bottle, to minimize the air within the bottle. Reset the shade alternate.
③ make good cooked oil, coupled with Mattie resin varnish, mixing into the cemented together in gelatinous, fait toners of a good mediator. This mediator color adjustment can achieve the effect of transparent drawing of ancient portrait oil painting. If stored for a long time maturing oil and light oil (cooked oil for about a month, light oil 5-15 days) mix, its color is more clear.
There is a natural light source to drying oil varnish methods: the walnut oil 1 kilograms into the white small bottles, sealed with gauze to make it through the air, placed in the sunlight from the Sun for one or two months. And then all a mix of turpentine, varnish. This three oils, applied in transparent drawing very well, it can be dried quickly, easy to draw a second time.
"Product of the art is emotion ... If feelings without any force of art, this kind of art is not art. "Liu Xiao Dong and Yu Hong's real romance with their portrait oil painting if you don't like the interpretation of the Readme, we might have, like all
young people entering the common denominator rather than impulse (eyes with peers). A man is often achieved by a woman on the existing experience, the lingering just starting up.
One of the pictures: performance under the warm shade of shine, the two lovers snuggle hug of everlasting love, pray for happiness and anxiety, and confusing both to face, glowing strongly interwoven with love through the hands to express the simple beauty of human nature, under the winter package, vein storms, strong strong joints can glimpse of tension, expressive but sketchy. Youth so real, coincidence is ripe for Inn of the opposite sex, and the melancholy, depression is "late-bound" the origin of, perhaps there are other constraints, but the commonality of emotion makes people feel so long wait to embrace complex. "Hands can communicate ideas, gestures can convey the language (emotion), so the hand can be the finishing touch on the screen of a prominent role. ”
Picture two: similar posture will be formed for author and lover to the Readme on feelings, is true? Of course. Their performance practices College's rigorous skill and avant-garde spirit (often with representatives of radical resistance against traditional) integration, easily a thin hit. Large-area coating with figures to the topic of the penetration of the heap of large painted, swing, light color, edge and author of personality, spirit, the stretch to do a documentary-style cut. Details stories side by side with detailed description, let the spirit outside the above forms. However youth occurs in everyone's lives and touching performances in his editing of scenes pieces of real love, fascinating, offscreen connotation extends to the pictures of real performance. This a site than Qian a update figures expression, has has little confident and conquest, eyes clear and eager to, and parallel of hands embracing and sat, helpless in the staggered, color by red, and blue, and white of joy replaced has former Green, and white of disturbed, relax of posture suspended anxiety of mood, in every possible way of modeling strongly to meet sight on aesthetic of reviewed, its usually and great of emotional color and the art forces this and health. Oil painting language in Germany artists similar to Freud describes the spirit of, this is by no means simple, natural tracing communicated more and spiritual exploration of the language within the picture, real emotional integration, seemingly mainstream topics has a college skills and expression of avant-garde consciousness, and retain traces of edge. Without modification manner in which he draws a figure by his side, "daily" as Liu Xiaodong authoring feature overview, image is not only daily, environment is a daily, even the artist's creative process seems to have been accidentally left a trail of everyday life. Self-confidence is the real feeling and experience of social life around, devoted to the screen? Acura in the lives of many common performance model is a joy and happiness, this is all the more justifiable. "Natural--all sources of inspiration. Regardless of the artist's works are directly from nature, memories, fantasies, natural is always the sources of their creation. "Truth-art there are two kinds of truth, understood by the feeling of real, and there are thoughts of self-study or subconscious forces in perceptual and intellectual spirit created by real. Most importantly achieve emotion and reason in the art of balance.
Liu Xiaodong oil painting of the lingering, with exercises traces, but this does not affect the china oil painting reproductions of works of artistic truth to realize, but more clearly see the release of personal feelings. This is precisely one of the essence of art. From the style, to a certain extent it has differences with the traditional dignified, quiet, telling expose a means of revolt, also with the spirit of expansion in a noisy to influence the appearance of quiet. Humour, humorous vision of open secret of life, seems to be boring people pretending not to know plainly know is revealed, self-image will be disseminated to the general public. The lingering from the art style is inherited the works of Liu Xiaodong of ridicule and intuitive reality to say, warm and lonely. Way easy, simple and random constructions, cynical tendency, through its people's face breaks out in the picture.
Look at his paintings, often make their own recall touching the past, time and time again
Portrait painting was one of Chinese painting, is one of the major categories of Western painting. It is based on figures for
the painting of the subject is known, through the portrayal of people and their activities, and the relationship to reflect life. In ancient China, figure painting in four main categories: ① the
historical facts of custom painting (the history of anecdote, customs status); ② road release figure painting (painting of the Buddha, DAO art); ③ young men and women painting ④ photo (portrait,
vivid, portrait painting, portrait).
Theory of portrait painting, song and Yuan previously, mainly scattered across various paintings on the theory of painting criticism in appreciation, the oldest more systematic theory of painting criticism, creation, is the Eastern Jin dynasty Gu kaizhi of the Wei, Jin, Sheng stream draw praise the painting yuntai mountain in mind, the three paintings, such as on the picture.
Painting on the beginning of Gu kaizhi, is usually used in phase-phase of human destiny, having "bone method" "hierarchy of high or low" to comment on advantages and disadvantages of figure painting. As Gu kaizhi of Wei Jin WINS stream art praise under assessment small column female under: "clothing bun pitching in the, 1.1 art, are facies and into its brilliant attitude, and superiority or inferiority high or low of shaped, jueran easy has, difficult can far had of also"; assessment week emperors under: "overlap Nathan LUN has bone law"; assessment Volt Shennong under: "has odd bone and and better"......
Song and Yuan dynasties, there are specific theories on Figure Drawing. Yuan generation Wang Yi of wrote like secret under, directly will phase law and figures descriptive phase contact: "where wrote like be proficient phase law", and inheritance has Northern Song dynasty Su "vivid and phase together, law Dang and all in the Yin Justice of" of observation method, made "he party squeal talk Zhijian, this really temperament made see, I is static and seeking of" of theory. Emerged after the write like the secret as Qing Jiang Ji of the mysterious, Ding Gao the fax understand more detailed, specific theory of painting works, they are inextricably linked.
In ancient Chinese records on the figure painter, also good physiognomy to them stressed that: recorded the Song Guoruo virtual journal of the information on the picture mougu: "physiognomy, good writing. "" Can wrote positive "; Song Liudao alcohol Song paintings assessment under assessment mougu:" deep physiognomy, so Yu painting in the especially long wrote appearance " (P41); song vision and a picture copybook under remember Hao Cheng:" was ethical wind mirror of surgery, so Yu art especially students ' kickball wrote "; Song Guoruo virtual pictures horizons log under remember Hao Cheng:" learn pass physiognomy, specializing in pass wrote "; song vision and a picture copybook under remember Han Qiu:" tasted in Shaanxi rural Longxing Temple art wall, its bone phase non-world color "......
Visible, does have some inherent association with the painting. I try to Gu kaizhi, Wang Yi II below on the human figure painting, for example, relationship analysis and figure painting.
Compression in the stubby, the cohesion of the composition of the two rectangles, stressed the full sense of the amount of the United States. Rectangular pot chrysanthemum flowers form a
rectangle similar to each other, the former constituted by the luxuriant petals, which is a comparison of the leaking window, the single button on the lid, small oval shape of leaf and flower
size and shape is like, and the black and white contrast. Ink is running out of a small album, provoking, edge of imaginative art.
Control and Union, is the most commonly used in the art of landscape painting manipulation, this contradictory dialectical relations in play, impact on the work of ever-changing effects. Beauty of Xu Gu picture total to Concord, always Tibetan in Concord. He often performed between pine squirrel, thin is fluttering long pine needles, rat tail is short coat nail head, above and below the screen are lines in the world. Long-term and short-term in contrast, pine needles and coat the reverse movement, formed a sense of melody lines. Pine needles area is large, but thin and sparse sparse, brightness, squirrel figure is small, dense lines and exposed to light, concentrated into blocks, like some little weight in the entire screen, always good to maintain a sense of balance of the picture. I have no such song and pictures of squirrel works, only one piece of the drawing of dendrocalamopsis oldhami squirrel, as we can see author management efforts. Bamboo leaves like Willow drooping, vertical line is called, and control, lateral radiation of squirrel hair. National Palace Museum of the plum and cranes his possession of strong contrast in height of Concord. Severe Baihe reservoir at branch and flowers of line bundles, but distribution of dots and white block size is uniform tone still picture, this approach will also appear on the of the Phillips House.
The portrait oil painting artist Xu Gu's eyes, his observation of the image, is a form of analysis of the law of the United States. He focuses on overall combination of pictures, appearance does not move. As if all of the artist, his work is not good, but most said the efforts of art design. His goldfish, loquat, grape, Eggplant and more themes, trying to echo the beauty of each other between the circles and arcs, monk was intended not only between the flowers and fruits! Objective world of sense of beauty are generations of painters, artists portray specific images to express their opinions through beauty. Successful works fully expressing the author's sense of beauty. Work hard, have made specific and detailed tracing, but failed to capture the beauty of the picture, could not enter areas of art. Image of the United States, which constitutes a form of what are the conditions and rules of the United States, these related forms of scientific analysis and understanding of the United States, are by historical period being recognized. Painter created many of the great works of ancient, failed to work, of course, more important piece of work in one aspect has failed, leaving behind serious defects, which are descendants of summing up experience and explore the legacy of laws in practice. Fan Kuan's drawing of the mountain stream mountain Brigade is a historical masterpiece, magnificent, its sense of thick formation first of all due to the placement of the two large rectangles, stands a rectangle with horizontal rectangle is a rectangle, standing and recumbent (cornerstone) is strongly against. Two rectangular determinants of sense of proportion is a sense of stability and strength, structure, which is building the first issue, was building. Stone also lurk among the many rectangles, or approximately rectangular, make up the whole picture of simple uniform tone, trees, springs of the stream profile must not damage the prestige of the tone. In Ma Yuan's drawing of the T ' A KO solid also has many distinguished representation, but is made in the composition frame average classification of disease, no attention to the vital role of plane split, its basic structure repetitive, tedious, hopeless, while many local are very rigorous and complete. If the ancient artist has not yet been extracted and attention from objects that make up the beauty of forms of law, virtual Valley figure out a rule, know yet know why, he actively used and played this law, made a painting to a new exhibition explores the field of creative attempts!
During our china oil painting reproductions process,we usually met some black and white paintings.How can we use it,let's talk it in the following:
(1) white oil paint application:
White as the highest Brightness, color covering the most resilient, often used to mention a local color.
② white mixed with any of the other colors, will make such a purity of color Brightness increases, reduced.
③ can mix with the black contour have a plain grey, ranging from mixed you will get different values of gray.
④ to make the color lighter, mixed with white is not the only way. In nature, any color change as the light intensity. Such as red, tend to Lan Zi as it got dark, when it's lightened tends to orange. In other words, must be while adding Orange to bright red.
(2) application of black oil paint:
① black and any other tone has the potential to become "dirty".
② black as a color exclusive, independent applications on screen, or mixing into grey and white.
③ There are three traditional methods of reconciliation of the black:
Crimson cooked half Brown + green = warm + Black
Cooked half General Brown + Blue + Green = cold black
Cooked Brown + Green + Black Crimson = neutral
(3) white, black, usage of modern oil paintings:
Classical portrait oil painting with white paint, in addition to color, mainly to strengthen the contrast, make it opaque pigments for thick coating, as well as in the Department of State, aims to Bai Tiliang color. Modern oil painting, especially of impressionist painters in observation on the outdoor light, generally joined white color, lighten the overall color picture. Impressionist painters such as Manet, Monet, and pull all the colors mixed with white lead in varying degrees, increase the lightness of color, get natural light effect.
Black is not found in the spectrum, therefore struck off the Impressionist landscape painting painter's palette was black. They also learned to reconcile after "black". Solid color, such as Ultramarine, magenta, green mixed together, making it closer to black. Renoir called black a "Queen", Toulouse-lautre, Cezanne, Gauguin, Matisse, Picasso and other modern outstanding painter are painted black, which makes their paint color is full of deep strength.
From the masters of painting in ancient Europe to today's famous painters have color problem for personal habits. With artist's own color preferences and paint performance. After the deep
understanding of basic properties of reproduction oil painting-color, painters can choose according to
personal habits of color stability of strong color.
United Kingdom portrait oil painting artist Qiao Shu ya•leinuozi said: "four colors would be sufficient to bring up any of the requirements of color". Reynolds is an artist who uses color at least, writers recorded according to one of his biography, his palette of colors other than white, black, Naples yellow, Scarlet, pink, and only pulan. Another artist is in favour of using a limited color United Kingdom court fine art painter nigula•xiliyade. He opposed the use of opaque color, he likes to use colors of Venice, ultramarine blue, red, green, yellow, and Mulberry color (reddish purple). Excellent color masters Rembrandt painting again only a few colors, such as warm, bright yellow, deep red, warm, dark brown and cool colors such as green, blue, and green.
Perhaps less ancient painters used colors are limited because the color class. However in 19th century impressions of color was not much used by the school of painters. For example, representative of the Impressionist painter Monet, is most frequently used in ultramarine blue and cobalt blue, chrome yellow. In addition there are Emerald, gemstone green, Scarlet, purple, but not much. After 1880, he joined was cobalt violet in the works. Impressions after school of painters van Gogh like yellow (cadmium yellow), he believed that color of yellow is the most beautiful, the most vitality. Yellow stacked up in the twisting strokes of Van Gogh landscape painting, as well as flame, demonstrate a spiritual personality.
Recognized as the 20th century's most important and most innovative still-life painter qiaozhi•bulake (France), his palette has the best features, only white, black, Zhe, a small amount of lemon and a little red. It is hard to imagine how he color paint.